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Dipti  Vyas's avatar

This is quietly stunning. The restraint you’re working with here makes every small motion feel monumental: the bell, the rail, the breath he doesn’t take. I love how the bridge and the night feel complicit, not passive, as if they’re participating in the act of waiting alongside him.

Your use of repetition (“as he always did”) is especially effective; it turns habit into a kind of sorrowful ritual, and by the time the bell finally chimes, it feels earned rather than dramatic. That last shift, where the quiet becomes not empty, landed beautifully. It’s subtle, but it changes the entire emotional temperature of the piece.

There’s a tenderness here that never tips into sentimentality, just a steady, aching patience. Really lovely work, the kind that invites rereading just to sit in the atmosphere a little longer.

Tony Burkinshaw's avatar

Excellent piece of writing, Mark.

I read Asuka’s first and then popped across to yours.

It works so well and feels like a sequel, some time distant looking back for what Marigot have been lost but could still be found.

And the bell at the end. Hope.

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