the pause before the post
The breath before the click. The silence...
There’s always that pause. The breath before you hit post.
I was sitting there, thumb hovering, rereading the words I’d rewritten four, maybe five times.
Not because I didn’t know what I wanted to say, but because I wasn’t sure how it would be read.
Did I miss a word?
Did I flip something around again — dyslexic quirks sneaking in like they sometimes do?
Would someone think less of me for that?
Or think I hadn’t checked?
That moment — just before you commit — it’s more than doubt.
It’s projection.
You start imagining the reader.
The colleague.
The stranger.
The potential client.
You start pre-reading it through their eyes, not yours.
That’s the pause I’m talking about.
Not hesitation, not fear exactly—more like a mirror turned outward.
You try to read yourself from the outside in.
Not as you are.
But as you might be seen.
It’s subtle, almost imperceptible, but it happens.
A shifting.
A mental side-step.
You become the reader, scanning the sentences for tone, intent, subtext.
Will they misunderstand this line?
Does it sound too bold?
Too soft?
Too sure?
Too unsure?
It’s not about being polished.
It’s about being received.
Some will say “just post it”.
Just be authentic.
But the moment you imagine others reading it—something changes.
You start shaping it, adjusting it, trimming or strengthening, depending on how you want to land.
And the truth is, that’s not wrong.
It’s projection, but not performance.
It’s presence.
It’s that awareness, sometimes heavy, that once it’s out there — it’s no longer just yours.
And then—it’s gone.
There’s that moment after you post.
Relief.
Then maybe doubt.
Then maybe nothing.
But in that space, you’ve done something most people scroll past: you’ve chosen to show up.
You’ve built it, you’ve checked it, you’ve felt your way into the words.
But once it’s out there, it’s not really yours anymore…
It slips from your grip and into the blur.
Into the feed.
Into the stream already in motion.
A noisy rush of other voices, louder engines, bigger teams.
Some with their pit crews, their polished frames, their sponsored cheers echoing loud.
And you?
You’re just hoping your signal carries.
That it threads the noise, finds a lane, lands with someone.
Amid all that speed and noise, trust becomes the grip.
It’s what keeps your message on the track.
Without trust, even the best-built car skids.
It’s not about flash—it’s about traction.
Once the post is out there—racing, jostling, bumping its way into visibility—it’s not just noise or speed that makes it felt.
It’s the trust built before it.
That presence, that honesty, that consistency — that’s what people notice.
That’s what gives your post traction in the crowd.
And it’s what people are scanning for — something to hold on to, something that feels real.
So if it’s already out of your hands—how might you shape what stays in your heart?
“Your dog doesn’t care how many likes your post got.
But she does notice when your shoulders drop after you hit send.”
And maybe, just maybe—that moment right before you post, the pulse, the pause, the doubt…
Maybe it’s not just about the post at all.
It’s about presence.
It’s about trust.
The kind that carries you above the noise.
The kind others feel, even if they never say a word.
And even when it doesn’t feel like it—there’s always someone, quietly watching, quietly cheering.




Mark this was a useful perspective written reflections, that utilizes your powerful wit to convey tactile suggestions.
A favorite analogy of mine for writing is the eye chart, when you this big E, at the top of the chart when you take an eye test. Writing should start with a big E, you know, something everybody can recognize. The gambit of the piece is not making any demands on you emotionally or intellectually. It's sort of setting something up that's undeniable. Something like "I'm sitting here at the window with this tree. It's snowing." I mean, the reader can't say, bullshit, I don't buy it. And then as the letters get smaller the writing can move into areas of ambiguity and subtlety, or fantasy and hypothesis. The piece should start in Illinois and get to Oz.
This written reflection totally sinks itself into this method in what I would imagine is a subconscious manner. I do believe that you are a powerful thinker with mad skills, Mark. And because of that I would like to start a correspondence with you. Talk about our writing and other things regarding art in general. I am going to subscibre in the hopes you return the favor. I imagine our bonded will power with these exercises will bear much fruit. Looking forward, brother!
Another great piece Mark. I do agree with everything you say here. But I also love that little shiver of the unknown - that possibility that a reader will find something I didn't intend - something I couldn't see in the spaces between my own words, and it will be new and exciting. I like that the piece can have a life beyond that I imagined!